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Ahmed Ashour believes that the Egyptian people have been subjected to “the greatest story of deception” for almost a century

The first filming of a new film depicting a different story of the two famous Egyptian recruits Ria and Sakina, who were famous for killing wom

 Ria and Sakina and God and Abdel-Al
Ria and Sakina and God and Abdel-Al

en to seize their jewelry began.

After the screening of two films and two works about their lives, “The innocence of Ria and Sakina”, and they will appear as “fighters against the occupation” and not “slaps”, according to documents obtained by the author and director of Ahmed Ashour photograph of the archive of ancient Egyptian history.

Ashour said in an interview with “He will present evidence of his innocence and fabrication of the accusation against them,” and I will demand that

The proof of innocence Ncia took 10 years

The author Ahmed Ashour confirmed

At the end of those years came to the fact that “the owner and the tenant of the house that expelled Ria and Sakina by the court, and was The first to report the existence of human bones during the work of plumber, is a blind person does not see “, which indicates the lack of authenticity of his novel, which was based on the first to accuse them.

Ahmed Ashour
Ahmed Ashour

Ahmed Ashour said “The film will be a novelist until it reaches the largest mass base and I will present at the end of the film all the documents I have received”.

He will present a documented historical account of the injustice committed against Ria and Sakina that led to his execution, The worst 10 women in the history of mankind

Raya and Sakinah always parted

Raya and the scandal of Egyptian public opinion emerged in 1920 after the story of the two thugs scattered throughout Egypt. For 93 years, the Egyptian judiciary has sentenced many women in Alexandria to Ria and Sakina, and numerous reports based on police reports on the two “illegal squatters” have been published.

In the first film, which was recorded in 1953 through the film “Ria and Sakina” starring artist Anwar Wagdy, who embodied the character of a police officer disguised as a man of the sea to reveal the gang responsible of the kidnapping of women, to succeed

After 30 years of Anwar Wagdy, Shreihan and Yunis Shalaby returned to make a film that bore the same name in a sarcastic way, but with a different story about the case in a comical way when A failed actor decided to use his fiancé. To disguise the characters of Ria and Sakina to obtain money, l

In the same year, 1983, the play “Ria and Sakina.” It was the first time that Raya and Sakina were shown as the main protagonists of a work of art. They were represented by Shadia and Suheir al-Babli. The human dimension of the two personalities who began their criminal journey through their father’s wife and stole their gold to decide then to continue in that area in order to raise more money.
Ahmed Ashour believes that the Egyptian people have been subjected to “the greatest story of deception” for almost a century, and that films and works dealing with the subject were dedicated to the image of the Ria and Sakina “The original investigation in Alexandria absolved the four Ria and Sakina and God and Abdel-Al from the abduction and murder of women, and that the Alexandria deputy rejected the pressure of the British consul to implicate them in the case for lack of evidence, and that after his arrest is attached These shameful accusations by them, and the amendment of the law which then banned the execution of women. “

He said:” The prosecutor Alexandria resigned by refusing to accuse them of falsehood, and the only evidence that condemned the entire collection is the testimony of the girl Adia, who was given a speech and assured him that if he said that his mother would release him

The film by the artists Ahmed Flux, Houria Farghali, Wafa Amer, Ashraf Muselhi, Menna Fadali, Aida Ghonem and a large group of stars, except one s torture of stars, displayed during the film’s events as honorary guests and composed by Ahmed Ashour and directed by Abdul Qadir al-Atrash and production of Hossam Shehab and Helmi Shehab.

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