{"id":231386,"date":"2025-11-24T19:43:43","date_gmt":"2025-11-24T17:43:43","guid":{"rendered":"https:\/\/www.arabtelegraph.com\/?p=231386"},"modified":"2025-11-24T19:43:43","modified_gmt":"2025-11-24T17:43:43","slug":"art-degypte-celebrates-centuries-of-decorative-art-with-the-inauguration-of-formed-by-dialogue-at-the-egyptian-museum","status":"publish","type":"post","link":"https:\/\/www.arabtelegraph.com\/?p=231386","title":{"rendered":"Art D\u2019\u00c9gypte Celebrates Centuries of Decorative Art with the Inauguration of \u2018Formed by Dialogue\u2019 at the Egyptian Museum"},"content":{"rendered":"
By Ahmed Fawzy<\/h5>\n

Art D\u2019\u00c9gypte opened \u2018Formed by Dialogue\u2019 at the Egyptian Museum in Cairo. this landmark exhibition honours the museum’s legacy, established in 1902, and marks a century of Art D\u00e9coratifs by showcasing a dynamic interplay between heritage and contemporary innovation.<\/p>\n

The exhibition showcases 18 works by international artists and designers across sculpture, furniture, textiles, and jewellery, reflecting a dialogue between past and present while honouring craftsmanship and innovation.
\nParticipating artists and designers include India Mahdavi, Charlotte Colbert, Fernanda Alvarez, Omar Chakil, Kahhal 1871 in collaboration with Mohamed Banawy, Cotta Designs by Ahmad El Sherif, Nagada, Nado\u2019s, Don Tanani, Athan Mytilinaios, Meherunnisa Asad with Studio L\u00e9l, Jean-Marie Appriou, Rochelle Nembhard, Ebb & Flow Studios, Benjamin Uyeda, R\u2019KAN Edition, Giulia Tubelli, Iram Jewelry in collaboration with Marie Khouri, and Enlighten\u2014a renowned lighting design studio that transformed the Egyptian Museum into a space where light itself becomes a storyteller.
\nEnlighten, responsible for the lighting of every piece in the Formed by Dialogue exhibition, introduced a compelling concept titled Awakening the Ka. Through a thoughtful interplay of radiance and shadow, the studio highlights both ancient artefacts and contemporary works. Each piece is illuminated to \u201cawaken the Ka,\u201d guiding the viewer\u2019s gaze and forging a connection between history and modern creativity\u2014ultimately creating a luminous dialogue between past and present.
\nAlongside the exhibition, a unique showcase was curated for VIP guests by Don Tanani. The NAKHL Collection celebrates the palm as a symbol of life, resilience, and abundance. Visitors journey through modular groves inspired by the traditional palm chair, reimagined through contemporary interventions. Eight designers\u2014Buro Doqi, Lina Al Orabi, Design Point, Nagada, Rebel Cairo, Threads of Hope, Yasmine El Melegy, Nora Aly, and Farah Abdelhamid\u2014reinterpret the palm\u2019s materiality and cultural heritage. Don Tanani\u2019s Nakhl Sofa and Nakhl Chair pay tribute to the artisans preserving this craft, merging tradition with modern design to spark a dialogue between past and future.
\n“As civilizations have risen and fallen, art, design, and craftsmanship have formed a universal language, shaping our shared human heritage,” says Nadine Abdel Ghaffar, founder of Art D\u2019\u00c9gypte by CulturVator. “\u2018Formed by Dialogue\u2019 is a celebration of these reciprocal exchanges, a recognition that innovation springs from the meeting of techniques, aesthetics, and philosophies across cultures. Here, we honour the essence of Decoratives Art\u2014a testament to the enduring power of creativity to transcend time and connect us through beauty, meaning, and our shared humanity.\u201d\"\"
\nIn the spirit of the 1925 International Exhibition of Modern Decorative and Industrial Arts, Formed by Dialogue honours the enduring power of craftsmanship and material ingenuity across the Middle East, Africa, and the world. Bringing together global designers and artists, the exhibition explores design as both a vessel of identity and a space for cultural exchange, celebrating tradition while envisioning new futures shaped by collaboration and dialogue.
\nThis exhibition would not have been possible without the support of our incredible sponsors. A special thank you to LMD Real Estate, our main sponsor. We are also grateful to Mansour Group, Nado\u2019s, Enlighten, Don Tanani, our event partner Brandaid, our official beverage partner Al Ahram Beverages Company and our venue partner Venture Lifestyle.
\nOur appreciation extends to our financial partner Ulter by Valu; our exhibition partner 9inenty and our catering partner Chef\u2019s Kiss. Thank you as well to Kahall 1871, our insurance partner Barta & Partners and Scib Paints.<\/p>\n

Exhibition highlights and artist statements:
\n\u25cf Mohamed Banawy, an Egyptian artist and PhD in art philosophy from Helwan University, exhibits his piece \u201cFinding the Gold\u201d with Kahhal 1871, Egypt\u2019s oldest luxury rug maker. His award-winning mosaic art explores human rights, while Kahhal\u2019s hand-crafted rugs fuse heritage and modern design, creating a dialogue between tradition and contemporary creativity.
\n\u25cf Cotta Designs by Ahmed El Sherif presents The DUALITY Chair. Inspired by the timeless motifs of ancient Egyptian design, the chair reinterprets heritage through a modern lens. Its sculptural form features a distinctive split backrest, evoking abstract wings or an open book, symbolising balance, openness, and harmony while combining functionality with contemporary elegance.<\/p>\n

\u25cf Armenian-Lebanese designer Sylva Assilian presents Manteau, a weaving collection that blends tradition and innovation. Featuring a palm tree\u2013inspired motif in green, blue, purple, and yellow, the fabrics evoke water, land, and sky, while Nagada\u2019s loom trains new artisans, honouring her business partner Michel Pastore\u2019s legacy.
\n\u201cExhibiting at the Egyptian Museum provides a platform to present our work in a context that embodies our ongoing pursuit of modernity within tradition and the ancient world,\u201d said Assilian.
\n\u25cf Omar Chakil presents Uraeus Birth Chair, a pair of hand-sculpted Egyptian alabaster onyx chairs. Merging contemporary design with the protective symbolism of the rearing cobra, the chairs evoke fertility, protection, and transcendence, reflecting Chakil\u2019s signature fusion of heritage and modernity.<\/p>\n

\u25cf Lina Alorabi for Don Tanani presents RA Armoire from Don Tanani\u2019s Duality collection. Inspired by Ra, god of the sun, the coffin-like exterior evokes darkness, while the illuminated interior symbolises renewal. The piece blends Ancient Egyptian mythology with contemporary design, embodying duality in both form and meaning.<\/p>\n

\u25cf Athan Mytilinaios presents Influencer, the 1st, a limestone and metal sculpture reimagining Egypt\u2019s hieroglyphic legacy. A pharaoh holds a phone in place of a staff, bridging ancient symbols and modern emojis, celebrating Egypt\u2019s enduring mastery of communication across millennia.<\/p>\n

Mytilinaios shared: \u201cAs a child, I dreamed of ancient gods and forgotten temples. To now present my work among these treasures is profoundly humbling. Being invited to Art D\u00e9coratif at the Egyptian Museum is not merely an exhibition \u2014 it is an expression of gratitude to the stories that shaped my imagination.\u201d<\/p>\n

\u25cf Meherunissa Asad X Studio L\u00e9l, Lapis Lazuli: The Wound and the Archive reinterprets ancient Egyptian ostraca and inlay traditions, using lapis, turquoise, gold, copper, and brass to trace trade routes from Badakhshan to Egypt. Through collaboration with Afghan artisans, Meherunnisa Asad transforms fragments into acts of memory, continuity, and renewal, blending heritage with a contemporary mosaic language.
\n\u201cExhibiting at the Egyptian Museum is a conversation across centuries\u2014between the lapis of Badakhshan, my beginnings in Peshawar, and Egypt\u2019s inlay traditions that first gave these stones their voice. As an artist navigating the intersection of decorative arts and contemporary practice, it is deeply meaningful to engage with a legacy where craftsmanship conveys profound cultural narratives,\u201d said Asad.
\n\u25cf Charlotte Colbert, a multimedia artist and award-winning filmmaker, explores narrative, identity, and the unconscious through surreal and fantastical forms. Supernatural Tendencies reimagines the traditional wishing well, cast in metal to reflect its surroundings and the viewer, creating a space for personal reflection and imagined possibility.
\nColbert shared: \u201cIt is a privilege to participate in the Art D\u00e9coratif exhibition within such a storied institution as the Egyptian Museum. My work, \u2018Supernatural Tendencies\u2019, is a wishing well that connects to the archetypes of Ancient Egypt, inviting a re-exploration of the familiar language of our childhood.\u201d
\n\u25cf Jean-Marie Appriou, a Paris-based sculptor, blends human, animal, and vegetal forms across materials including bronze, glass, and clay. Les Barques du Nil, hand-built with ochre Nile clay in collaboration with Fayoum potters, evokes the solar barques of Ancient Egypt, transforming human figures from Nile silt into vessels of memory, breath, and continuity.<\/p>\n

\u25cf Fernanda Alvarez, a self-taught Brazilian artist, fuses spirituality, pop art, and urban aesthetics in vibrant, emotionally charged works. Rebirth of Light brings her layered vision into dialogue with the Egyptian Museum, exploring transformation, renewal, and the luminous interplay between past and present.
\n\u201cParticipating in Art D\u00e9coratif at the Egyptian Museum is a distinct honour, allowing my contemporary vision to converse with a space where the past and present converge through artistic creation,\u201d said Alvarez.
\n\u25cf Rochelle-Webster Nembhard, a British-Jamaican interdisciplinary artist, works across sculpture and performance to explore ecological, gendered, and ancestral narratives. Womb to Tomb, crafted in wood and Egyptian gold leaf, reimagines the tomb as a vessel of transformation, bridging past and present while celebrating the sacred continuum between the feminine, the material, and the metaphysical.
\n\u201cTo present \u2018Womb to Tomb\u2019 at the Egyptian Museum is to enter a dialogue of rebirth, where ancient cosmology and contemporary creation intersect. It is an honour to contribute to Art D\u00e9coratif and reimagine the feminine as the eternal source of creation and renewal,\u201d said Nembhard
\n\u25cf Exhibited under EBB & FLOW STUDIO, Mariam Sabbour presents Chess & Backgammon, a versatile piece crafted from white rhino marble and alabaster. Functioning as both a chessboard and a side table, it celebrates Egyptian heritage and embodies dynamic duality, blending ancient artistry with contemporary elegance while honouring locally sourced materials.<\/p>\n

\u25cf Artist and designer Ben Uyeda presents Stone Chair, sculpted from black Aswan granite. In an age defined by rapid progress, he turns to an ancient material to explore enduring form and evolving technology. The piece transforms solid stone into a contemplative lounge chair, bridging art, architecture, and daily life while quietly echoing Egypt\u2019s monumental heritage.
\n\u201cAs someone who works with stone as a medium, there is no greater honour than having my work featured here,\u201d said Uyeda.
\n\u25cf Italian architect and artist Giulia Tubelli presents Under the Same Sky, integrating wood, metal, textile, and I-mesh filament. The Bala Wala Chi armchair and Pedj-shes tapestry merge Italian and Egyptian design, transforming cultural heritage into contemporary forms. Tubelli\u2019s work fosters a Mediterranean dialogue where architecture, myth, and imagination converge.<\/p>\n

\u25cf R\u2019KAN Edition, founded by Rania Fahmy and Masha Shobokshi, presents The Tale of the Eternal Palms Console. Inspired by the first sunrise of Ra, two eternal palms rise from the waters of creation, merging functionality and artistic expression. The work reflects R\u2019KAN\u2019s ethos of collaboration with artists and artisans, transforming objects into dynamic conduits for creativity and imagination.<\/p>\n

\u25cf Nado\u2019s Jewellery, established by siblings Maha, Youssef, Dina, and Mostafa El Sharafy, draws on a family legacy of craftsmanship. Pieces such as the Cardamom Caravat (2022), Termes Necklace (2022), and Lotus Strato Necklace (2025) embody biomorphism, translating patterns and forms from nature into fluid, abstract, yet precise designs. Crafted in gold, these creations pulse with life, blending heritage, artistry, and contemporary luxury.<\/p>\n

\u25cf IRAM collaborates with sculptor and designer Marie Khouri to present Wearable Structures from the Reptilia Collection (Gold, 2025). This sculptural hand cuff reinterprets ancient Egyptian symbolism, channeling the cobra\u2019s power as a symbol of protection and divine authority. The piece merges IRAM\u2019s fine jewelry craftsmanship with Khouri\u2019s fluid sculptural language, creating a contemporary statement of strength, elegance, and timeless cultural resonance that honors Egypt\u2019s regal heritage.<\/p>\n

\u25cf The Bishop by India Mahdavi, an architect, designer, and scenographer based in Paris, transforms stone into a sculptural meditation. Of Iranian and Egyptian heritage, Mahdavi\u2019s work reflects a cross-cultural sensibility, blending architecture, furniture, and object design into a cohesive creative vision. The Bishop embodies her signature approach: a dialogue between material, form, and narrative, shaped by a cosmopolitan and multicultural lens that spans both space and time.<\/p>\n","protected":false},"excerpt":{"rendered":"

By Ahmed Fawzy Art D\u2019\u00c9gypte opened \u2018Formed by Dialogue\u2019 at the Egyptian Museum in Cairo. this landmark exhibition honours the museum’s legacy, established in 1902, and marks a century of Art D\u00e9coratifs by showcasing a dynamic interplay between heritage and contemporary innovation. The exhibition showcases 18 works by international artists and designers across sculpture, furniture, …<\/p>\n","protected":false},"author":6,"featured_media":231383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[280],"tags":[],"class_list":["post-231386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"yoast_head":"\nArt D\u2019\u00c9gypte Celebrates Centuries of Decorative Art with the Inauguration of \u2018Formed by Dialogue\u2019 at the Egyptian Museum - Arab Telegraph<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.arabtelegraph.com\/?p=231386\" \/>\n<meta property=\"og:locale\" content=\"ar_AR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art D\u2019\u00c9gypte Celebrates Centuries of Decorative Art with the Inauguration of \u2018Formed by Dialogue\u2019 at the Egyptian Museum - Arab Telegraph\" \/>\n<meta property=\"og:description\" content=\"By Ahmed Fawzy Art D\u2019\u00c9gypte opened \u2018Formed by Dialogue\u2019 at the Egyptian Museum in Cairo. this landmark exhibition honours the museum’s legacy, established in 1902, and marks a century of Art D\u00e9coratifs by showcasing a dynamic interplay between heritage and contemporary innovation. 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